All 100 ślokas/Śloka 53

ŚLOKA 53 / 100

Three colors, three qualities

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SOUNDARYA LAHARI

ŚLOKA 53

vibhaktatraivarṇyaṃ vyatikaritalīlāñjanatayā

vibhaktatraivarṇyaṃ vyatikaritalīlāñjanatayā
vibhāti tvannetratritayamidamīśānadayite
punaḥ sraṣṭuṃ devāndruhiṇaharirudrānuparatā-
nrajaḥ sattvaṃ bibhrattama iti guṇānāṃ trayamiva . 53 .
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About these study notes: English meanings and explanations were generated with AI assistance and have not been independently reviewed by a Sanskrit scholar. Sanskrit text follows the cited source editions.

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7 selected phrases

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Selected phrases and English meanings for Śloka 53
Selected phraseMeaning in context

with three distinct colours

mingled with playfully applied collyrium

this triad of your eyes shines; O beloved of Īśāna

to create again the gods

Brahmā, Hari, and Rudra, who had ceased to be

A closer look

The printed word or compound continues on the next verse line; read it together with the following entry.

bearing rajas, sattva, and tamas

as though the three guṇas themselves

About these phrase meanings

Short phrases and parts of compounds, not a complete word-by-word translation. Original sandhi and spelling are retained; some words continue across printed lines. Read the entries together. Brackets in the English supply context rather than additional Sanskrit words.

The English explanations are editorial study aids and have not been reviewed by a Sanskrit scholar. Consult a teacher or full commentary for grammatical and interpretive detail. Telugu-Vigananam keeps its printed spellings, hyphens, and variant readings; the English follows the base Sanskrit unless a note explains a difference.

A first understanding.

The red, white, and dark hues of Her three eyes are compared with rajas, sattva, and tamas, poised to bring forth Brahmā, Viṣṇu, and Rudra again.

CONDENSED EDITORIAL PARAPHRASE

How the verse unfolds.

The three colours of the eyes are first presented as a visible arrangement, mingled with collyrium. The comparison then moves to the three guṇas, rajas, sattva and tamas.

The divine triad that had ceased to be is poised to arise again. Colour, quality and renewed creation therefore form successive levels of the image. The words as though keep the relation recognisable as a poetic comparison rather than a literal account of eye colour causing creation.

EDITORIAL EXPLANATION · NOT A TRADITIONAL COMMENTARY

A question to carry.

How does a visual pattern help you approach an idea that is otherwise abstract?

A REFLECTIVE INVITATION

Connected themes

Editorial lenses; a verse may invite other readings.

Associated Tattva

Śakti and cosmic activity

The threefold colouring is compared with the guṇas in relation to renewed divine activity.

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How does the color image make an abstract triad more tangible?

Keep a question, a phrase, or an observation. This note belongs to Śloka 53.

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English study notes are editorial interpretations. Sources & reading notes →