All 100 ślokas/Śloka 69

ŚLOKA 69 / 100

Three lines and musical order

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SOUNDARYA LAHARI

ŚLOKA 69

gale rekhāstisro gatigamakagītaikanipuṇe

gale rekhāstisro gatigamakagītaikanipuṇe
vivāhavyānaddhapraguṇaguṇasaṅkhyāpratibhuvaḥ ;
virājante nānāvidhamadhurarāgākarabhuvāṃ
trayāṇāṃ grāmāṇāṃ sthitiniyamasīmāna iva te . 69 .
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About these study notes: English meanings and explanations were generated with AI assistance and have not been independently reviewed by a Sanskrit scholar. Sanskrit text follows the cited source editions.

A phrase at a time.

8 selected phrases

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Selected phrases and English meanings for Śloka 69
Selected phraseMeaning in context

three lines on the neck

O mistress of musical movement, ornament, and song

tied at your marriage

echoing the number of its well-twisted threads

they shine, of many kinds

the sources of sweet rāgas

of the three musical grāmas

like boundaries defining their arrangement

About these phrase meanings

Short phrases and parts of compounds, not a complete word-by-word translation. Original sandhi and spelling are retained; some words continue across printed lines. Read the entries together. Brackets in the English supply context rather than additional Sanskrit words.

The English explanations are editorial study aids and have not been reviewed by a Sanskrit scholar. Consult a teacher or full commentary for grammatical and interpretive detail. Telugu-Vigananam keeps its printed spellings, hyphens, and variant readings; the English follows the base Sanskrit unless a note explains a difference.

A first understanding.

The three lines of Her neck recall the strands of the marriage cord and the boundaries of three musical grāmas, sources of varied melodies.

CONDENSED EDITORIAL PARAPHRASE

How the verse unfolds.

The three lines of the neck recall the count of strands in the marriage cord. This first comparison connects a visible bodily detail with a relational sign.

The next relates the lines to the boundaries of three musical grāmas, sources of varied sweet melodies. The address to her mastery of musical movement and ornament makes that shift apt. The verse uses ordered divisions to suggest the conditions for expressive variety, not a modern music lesson.

EDITORIAL EXPLANATION · NOT A TRADITIONAL COMMENTARY

A question to carry.

When does a boundary enable expression rather than restrict it?

A REFLECTIVE INVITATION

Connected themes

Editorial lenses; a verse may invite other readings.

Associated Tattva

Inner order

The neck's three lines are read as ordering boundaries from which musical variety can arise.

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How can a boundary help make expression possible?

Keep a question, a phrase, or an observation. This note belongs to Śloka 69.

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English study notes are editorial interpretations. Sources & reading notes →